July 04, 2003

A New Yorker oferece-nos uma visão algo diferente do conceito edipiano, a proósito de Hulk e aventura-se pelo território do novo «Anjos de Charlie» de uma forma pouco meiga:«Everything in this movie goes down easily except for the presence of Demi Moore as an ex-Angel who has gone over to the dark side. Moore’s closeups reveal her usual lack of humor and what is normally called talent, along with her utter determination to prevail. This is a windup toy of a movie, but Moore’s tight-lipped concentration is a reminder of how much work goes into the illusion of frivolous inconsequence.»